The Hollow Circuit
THE HOLLOW CIRCUIT Book One by Awen Null
For readers who walk the fault-line between genres, this is not a seamless story. It glitches. It contradicts. It loops. Every fracture is deliberate. Every repetition is a breadcrumb.
The Hollow Circuit
For readers who walk the fault-line between genres, this is not a seamless story. It glitches. It contradicts. It loops. Every fracture is deliberate. Every repetition is a breadcrumb.
Art of FACELESS
Keep your eyes sharp. Keep your ears open. We’ll keep transmitting from the places they tell you are dead.
The Hollow Circuit
It’s a descriptor that keeps on giving. A word that carries smell, sound, texture, atmosphere—and an almost mythic quality. It doesn’t just describe a place; it creates one. That’s why ozone belongs in this world, and in mine.
AOF Provenance Protocol
Some days it feels pointless. Today I read that Kite AI secured $18M in Series A funding from PayPal Ventures and Samsung. Eighteen million dollars to put “autonomous AI on blockchain.” Words dressed up as inevitability: $240 billion markets, agentic internet, the future already sold. And here I am, with
AOF Provenance Protocol
I saw an X post today from an NFT artist celebrating a sale. It read like something between a love poem and a product announcement: “gm and SOLD ❤️🔥 … my gratitude flows like shadowed rivers … may the flowers bloom endlessly in your hands.” The reaction it triggered in me was physical.
AOF Provenance Protocol
Date: 2025-09-02 Series: APP / Devlog / Critical Notes We’re building APP (the AOF Provenance Protocol) and we’re not going to sell it to you as a utopia. This post is a friendly autopsy — of NFTs, of our own system, and of the myths both camps use. If this is
AOF Provenance Protocol
In 2025 we initiated the first formal record of the Art of Faceless Provenance Protocol (APP).
AOF Provenance Protocol
Art of Faceless (AOF) was never meant to be permanent. Since 2012 it has appeared, collapsed, resurfaced, and fractured again — a pattern that mirrors the very systems it was born to critique. The original 2012 trailer came from a very different world. Surveillance was still clumsy, algorithms had not yet
Social Media
I use the word “algorithm” a lot. Probably too much. It turns up in my fiction, in fragments I post online, in the footnotes of my own thinking. It's become a tic, a tell. I use it because it matters, because it governs so much. And I use it because I don’t trust it.
Multimedia Poetry
The multimedia. spoken word presentation by the poet in collaboration with Lloyd MSUX.
Music
Glitch isn’t retro. It isn’t futurist either. It’s something like post-temporal. It treats time the way cubism treated perspective: as a thing to be exploded and reassembled on its own impossible terms.
Disablity
At Art of FACELESS, we do not separate art from life. Art is not decoration. It is not a luxury or a side hobby to be entertained by the privileged while others are made to crawl through tribunals to prove they are not frauds.
© 2026 Art of FACELESS. All rights reserved.
The Hollow Circuit™, Hyperstition Architecture™,
The Veylon Protocol™, and Cognitive Colonisation™
are proprietary intellectual property of Art of FACELESS.