The language that shapes us is the language that shapes the world we imagine.
Written by Lloyd Lewis
Writers don’t think in words; we think in architectures. Language isn’t just vocabulary, it’s scaffolding for imagination. In the novel The Hollow Circuit, by Awen Null its emotional core and world logic are shaped by three linguistic currents: English, Ancient Greek, and Welsh. Each brings its own gravitational pull, its own way of organising thought, and, crucially, its own neurological footprint.
Art of FACELESS | artoffaceless.com | February 2026 We have withdrawn our image portfolios from Threads and Instagram, some from Tumblr, Mastodon, and Bluesky too (that were linked to Pinterest specifically). This is not a temporary measure. It is a considered response to a systemic failure in how social platforms are currently classifying creative work — and a refusal to have 14 years of documented creative practice misrepresented by automated systems that cannot distinguish between generated
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March 1st. St David's Day. Cardiff goes to Athens. While the rest of Wales is pinning Daffodils to their lapels and singing in the rain, we're doing something significantly weirder. The Hollow Circuit Book One — Official 2nd Edition — drops on Kindle. March 1st, 2026. From Athens. Specifically from somewhere in The Plaka. Maybe. Alt.Cardiff2026: ZINE GLITCH The new poster-format folding zine is here — bilingual, baby — English and Greek, because Alt.Cardiff2026 isn't staying in Alt.Cardiff
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The Hollow Circuit™, Hyperstition Architecture™,
The Veylon Protocol™, and Cognitive Colonisation™
are proprietary intellectual property of Art of FACELESS.