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From Transparency to Transmission: Santorini 1979 / Island Life #1 (2025)

This new version — Island Life #1 — is not simply about cleaning up an old photo. It’s about layering time.

From Transparency to Transmission: Santorini 1979 / Island Life #1 (2025)
Collage of photographs of a Greek mule on the island of Santorini 1979 © @ichbinLLOYD

In the summer of 1979, I was walking the narrow stone streets of Santorini with an Olympus OM10 slung around my neck and a pocketful of Ektachrome. This image — a working mule, burdened but calm, stepping through the labyrinth of whitewashed walls — was one of many I captured that year. It slept in a slide box for decades. Forgotten, almost. Until now.

The version below is the original scan from that transparency. Dust and dye fade intact. A moment in time.

But what follows is not just a restoration. It’s a resurrection.


Original Ektachrome Scan
Santorini, 1979
Film: Kodak Ektachrome
Camera: Olympus OM10
Natural light only

Greek mule on the island of Santorini, Greece 1979. Ektachrome. © @ichbinLLOYD

Reimagined: Island Life #1
Processed in 2025 using Photoshop
Colour grading by memory and intuition
Textures, sky rebuild, tonal shifts
Not restoration — remythologisation

Image from above as base, and then layered and produced and hand remythologised in Adobe Photoshop. No AI. © @ichbinLLOYD

Aegean Threads: Memory, Myth, Machine

This new version — Island Life #1 — is not simply about cleaning up an old photo. It’s about layering time. Using the tools of 2025 to speak to the rhythms of 1979. Santorini was not a cruise stop or Instagram backdrop. It was old rhythms. Island time. Tools and animals, hands and heat. Baskets. Oil. Dust. Salt.

I remember the way the sun would scrape the whitewash to gold in the evenings. How the stone underfoot held the memory of footsteps long gone. This image is a visual palimpsest — not nostalgia, but return. Not replication, but translation.

To me, this is what digital tools are for: not erasing the past, but tuning it. Honouring it. And where possible, extending its signal forward.


Why Greece?

I carry both Welsh and Greek roots. My work is often suspended between myth and memory — grounded in the real, but alert to the otherworld. Greece, especially the islands, has always spoken to that part of me that believes in echoes.

The mule in this image isn’t just transport — it’s a symbol. A bearer of burden, of continuity, of time moving at its own pace.

This series — Island Life — will become an ongoing exploration of reworking my analogue archive through a 2025 lens. Greek island moments reprocessed not just visually, but philosophically.

Watch this space.


What’s Next?

Expect more transmissions like this in the coming months.
Some will be restored memories.
Others entirely new visions — fragments of The Hollow Circuit,
war poetry, travel, and signal drift.

And always: dust, signal, myth.


@ichbinLLOYD